It's that time of year again! We took some time to speak with Charles Fishman, executive producer of DC Jazz Festival, who talked about the DC's heart for Jazz. This year's festival is bigger and better, featuring artists like Bobby McFerrin at the Warner Theater.
After two decades in Georgetown, Shahab and Maziar Farivar reflect on their success. They will be celebrating the Peacock Café’s 20th anniversary on this stretch of Prospect Street, where they first opened back in 1991 as a six-seat restaurant/carryout.
Gary Tischler reflects on Memorial Days past.
“A Night of Broadway Stars” was a gala event honoring Covenant House, the international organization which dedicates itself to helping homeless young people find work, homes and hope. It awarded its first “Lizzie” award to Mayor Vincent Gray, Covenant House Washington’s first executive director from 1995 to 2005.
Theater-goers may soon be paying more at the box office with Mayor Vincent Gray's ticket tax proposal.
Believe it. “Follies” is no folly. It’s a big deal. A ground-up, full-blown revival of the groundbreaking Stephen Sondheim musical is now on stage at the Kennedy Center Opera House through June 19. It is the culmination of four years of planning, effort and work.
Four years ago, member embassies representing the European Union decided to hold open houses for most of their embassies, allowing tourists and residents to come in and visit, meet embassy officials, and share in the cultural offerings and history of the respective countries. Some 70,000 people showed up. The European Union folks then joined up with Cultural Tourism DC to produce Passport DC, now a month-long celebration of international culture and conviviality.
Orange is back as the newly-elected at-large city councilman, winning a special election to fill the seat formerly held by Kwame Brown, who was elected council chairman last year in a race against Orange. Talk about perseverance. Orange won a tight race, considering the low voter turnout citywide, that featured a strong challenge by Republican Patrick Mara, who was endorsed by the Washington Post and won impressive pluralities in Wards 2, 3 and 6.
Sam Forman is a quintessential New York type in some ways. He is young, hip, very smart and a knowing young playwright and actor who has brought something to the theater that goes back to Chekhov, Neil Simon, even Woody Allen. Mostly, though, he’s brought himself.
In a year when bad news was a part of your breakfast cereal, the death of an evil man seems like bloody sunshine. I bask in it, uncomfortably, waiting for warmth and relief, as if something had ended at last.
Our city is the poster child for the notion that all politics is local. People who live here live in distinct neighborhoods, in areas with distinct qualities, atmospheres, residents and histories. However, the elephants in the Washington neighborhoods are the White House and the Capitol Building, and the people who work in them. The government and the President make us the center of the world, and entangle our daily lives and local politics in larger national and international issues.
What makes the Helen Hayes Awards unique is its celebration of this city’s theater community. It has blossomed into a kind of tribe and built a national reputation that is no longer a secret. For my money, we are right up there with Chicago, New York and San Francisco.
Can you get the full measure of Shakespeare’s “King Lear” without hearing Lear’s verbal rage against the Gods? You bet you can—and without any of the words for that matter—in Synetic Theater’s “silent Shakespeare” series, now through April 24 at the Lansburgh and April 29 – May 9 at Synetic’s home base in Rosslyn.
New and fresh Irish playwright Enda Walsh is currently getting a full-blown festival exposure at the Studio Theater, with “Penelope,” his contemporary version of the story of Ulysses and his wife, having already been performed. Now its “The Walworth Face” and “The New Electric Ballroom,” starring some of DC’s finest veteran actors and actresses, being performed simultaneously in the Milton and at the Mead theaters, respectively.