Arena Stage Artistic Director Molly Smith has accomplished quite a bold and remarkable thing here, picking and staging the great ...
The real deal begins Wednesday.
Ever since DC City Council Chairman Vince Gray scored a solid and surprising win over incumbent mayor Adrian Fenty back in September, there was a certain air of calm before the storm throughout the city, as voters waited in place for the validating election that occurred this week.
Remember those old, tinted granny glasses worn by hippies in the sixties, along with their bellbottoms, fringed jackets, tie-dyed blouses and long hair or afros? You don’t?
Most worthwhile efforts have small beginnings, and this is also true for the Embassy Series, the unique musical events put together every year by its director, Jerome Barry, now in its 17th season.
The Democratic Primary election has been done and over since mid-September, but somehow, the past week still felt like election mode.
Especially if you were Vincent Gray, the still-Chairman of the City Council who won the primary. Especially if you were District of Columbia School System Chancellor Michelle Rhee. Especially if you were Mayor Adrian Fenty, who lost the primary election.
My dog Bailey doesn’t read. He’s like that dog on the commercial for bacon bits, sniffing, panting that “you know I can’t read.” Bailey, like all dogs, is all nose, or so he let’s me believe.
I think he reads, in his own way.
The eminently successful playwright Ken Ludwig insists that no one has ever called him a dinosaur.
“My kids maybe sometimes,” he said. “But as far as I remember, no one has said that to my face or in print.”
Well, there’s always a first time. Ken Ludwig is something of a dinosaur. And I mean that entirely as a compliment.
That thumping noise you might have heard sometime on Wednesday of this week? Don’t fret. It was just the ...
“I want us to work together, and that’s a concrete thing. I want people from all the wards to work together, to get to know each other. We are facing tremendous challenges but also a great future. We did that on the council, and I have to say I think we have and had a tremendously talented council."
Walk into the offices of DC City Council Chairman Vincent Gray, and it’s like walking into two different worlds.
Along a small corridor of offices and cubicles, there are people talking on the phone; computers are on. It’s got all the signs of any busy bureaucratic office. Walk into his office, with Gray leading the way, and the busy sounds die down. His office is reminiscent of an expansive drawing room — leather chairs, a large desk, books and pictures on the wall.
Major change is coming to the Washington National Opera. Placido Domingo, the world-renowned tenor, who has been general director of the company since 1996, helping to launch it to another level of respect, stature and accomplishment, will be leaving his post as of June, 2011.
That mother-ship construction project people have been noting at the site of the old Arena Stage near the Southwest waterfront is finally set to open its pearly gates to the public. After two and a half years of construction, Arena Stage at the Mead Center for American Theater will have a ribbon cutting ceremony and Homecoming Grand Opening Celebration on Saturday, October 23, lasting almost all day long from 11:30 a.m. to 6 p.m.
After a sold out run of performances last fall, the VelocityDC Dance Festival is coming back for a second season. This vibrant performance experience presented by the Washington dance community will hopefully continue to be a seasonal offering in the DC Area.
Outside, it was a typical American-style Friday night in Dupont Circle, restaurants and watering holes busy, couples and groups of people wandering up and down the streets; a mild fall-like weekend night, outdoor dining, indoor imbibing.
That small room in the National Portrait Gallery housing “One Life”, the series of exhibitions begun since the completed renovation of the Reynolds Center, may be one of the biggest rooms in the whole building. “One Life”, after all, attempts to squeeze into a small, square room a summation of an entire American life with a minimum of artifacts, paintings and photographs. Not an easy task when you’re dealing with the previous tenants.