It’s pretty plain to see that Jason Moran, the artistic director for jazz at the Kennedy Center, is quite ...
Reflections on producer Michael Stevens, actress Maureen O'Hara, and NBA coach Flip Saunders, all of whom recently passed away.
Washington was in the spotlight last week because of Hillary Clinton's appearance on Capitol Hill. Columnist Gary Tischler reflects on her hearing as well as the other Washington, where we all live, work and play.
A reflection on the United Nations' 70th anniversary, which brings birthday festivities to some of the world's most renowned landmarks this week.
Act quickly. “Sancho: An Act of Remembrance,” a one-man play by British playwright and actor Paterson Joseph, is at the Kennedy Center Oct. 23 and 24 only.
It’s official, or it will be Oct. 30.
That’s when a coven, you might say, of notables will ...
It’s time once again for the eighth annual Kids Euro Festival—Oct. 24 to Nov. 8—described as a kind of local trip to Europe without the need for a passport.
Democrats finally hold a presidential candidate debate Oct. 13 in Las Vegas of all places, and it pays off for Clinton and her party.
Playwright Jessica Dickey leaves her ideas and vitality on stage at Ford's Theatre with her work, "The Guard," closing after Sunday.
Sunny Sumter of the DC Jazz Festival owned the room as she sang, explained music culture and spoke of her big ambitions for D.C.'s jazz future.
The Women’s Voices Theater Festival going in Washington, D.C., is a grand crossing of all things theatrical and thematic—and all written by women. Here are two reviews—and more to come.
“Chimerica” is a challenge for actors and for the audience. It runs from 1989, the year of Tiananmen Square, to 2012, with an American photographer wondering what happened to “tank man,” who stood in front of a tank in the vast Beijing square.
Ukrainian Aleksey Semenenko will perform in the second Embassy Series of the season at the Embassy of the Ukraine in Georgetown Oct. 6 and 7.
Pope Francis in his first visit to the U.S. takes the city by love and with his presence leaves a message of justice and duty.
Washington National Opera's "Carmen" is produced with uniform excellence, eliciting the opera's considerable musical and dramatic virtues.